GALB’ECHAOUF
Abdessamad El Montassir


PLAY ▸ INFO

Oct 19--:--:--

GALB’ECHAOUF
Abdessamad El Montassir

While investigating an event that profoundly changed the landscape of the Sahara, Abdessamad El Montassir was faced with the silence of previous generations who remain haunted by a history that they are unable to tell. With “Galb’Echaouf,” El Montassir focuses our attention on landscapes, plants and poetry, in search of answers or elements that could participate in the reconstruction of this collective amnesia and its narrative transmission.

The artist-storyteller speaks the unspoken to the forgetful landscape of the stunning Sahara Desert. Portraying this harsh expanse with an open-ended-ness and a freedom of imagination, El Montassir wanders vast landscapes and explores that which remains elusive with the eyes and ears of a researcher without archives. Bringing form to silence, “Galb’Echaouf” blends scientific inquiry with poetry to create an oral history passed down through generations, while giving agency to those plants and inanimate entities that interact with, transform, and impact the world around us.

- abdessamad-el-montassir-galbechaouf.jpg

I, THE GREEN MARBLE; THE (HI) STORY OF MY WITNESS AND MEMORY
Cihad Caner


PLAY ▸ INFO

Oct 19--:--:--

I, THE GREEN MARBLE; THE (HI) STORY OF MY WITNESS AND MEMORY
Cihad Caner

Amplifying the narratives of marginalized figures from complex, transnational histories, Cihad Caner's "I, The Green Marble; The (Hi) story Of My Witness and Memory" is a research-driven challenge to dominant worldviews, revealing the hypocrisy and shifting roles in global politics. A CGI-animated version of the iconic green serpentinite slab behind the podium at the UN General Assembly calmly and didactically admonishes his audience in a deep Italian-accented voice. Embodying over seventy years of silent observation, and having watched countless world leaders and revolutionaries, this sad stone character sees all these events blur into a collective memory that refuses to be forgotten.

An imaginative critique of the ongoing drama through the notion of a deep, pervasive psychological and emotional impact of colonialism and systemic oppression on colonized or oppressed peoples. Structural violence becomes palpable in moments of silence through slab’s micro-expressions of a deep, unresolved tension over the unending cycle of forgetting and tyranny.

- >
  i-the-green-marble-the-hi-story-of-my-witness-and-memory_film_still_1.png

38
Micaela Durand & Daniel Chew


PLAY ▸ INFO

Oct 19--:--:--

38
Micaela Durand & Daniel Chew

Vivid interruptions of sound and images fragment the psychic landscape of a 38-year-old woman who becomes obsessed with the social media presence of the young woman who broke up her relationship. The latest entry in a series of short films, “38” explores the entanglement of desire, sexuality, race, and class as filtered through the distracted, overloaded, and constantly-documented reality of hypermediation.

Durand and Chew continue to examine the embodied experience of our hybrid online-IRL existence by mining contemporary life’s nuanced exchanges between longing and looking, voyeurism and the desire to be seen. Themes of the invisible infrastructures that not only replicate, but also reinforce and intensify existing cultural bias are foregrounded as an invisible online world that only exists through its impact and implication.

- 38_filmstill.jpg

LUMAPIT SA AKIN, PARAISO (COME TO ME PARADISE)
Stephanie Comilang


PLAY ▸ INFO

Oct 19--:--:--

LUMAPIT SA AKIN, PARAISO (COME TO ME PARADISE)
Stephanie Comilang

Paraiso, an all-seeing drone spirit, is summoned every Sunday into the heart of Hong Kong where Filipina migrant workers gather to socialize. In the artist’s words: “The ghost or spirit in my film is called Paradise. She acts as an intermediary between the women and their place of origin. Often, when ghosts are portrayed in films, they try to find their way to the other side, and humans act as mediators to facilitate this passing. But in my film, it is the opposite. Paradise is the mediator who sends the women’s messages back home to their loved ones.” As the women claim the public space, Comilang’s sci-fi documentary considers social connections in today’s age of economic migration and modern technology.

- >
  girls-in-tai-chi-enclave-for-print-copy.jpg

TR333
April Lin 林森


PLAY ▸ INFO

Oct 19--:--:--

TR333
April Lin 林森

In collaboration with ecologist Dr. Nalini Nadkarni, artist-filmmaker April Lin 林森 presents “TR333,” a speculative documentary which imagines a new species of tree based on scientific literature on plants and climate hardiness. Their hybrid forms and body parts a patchwork amalgamation of different tree types, this tree is a climate adaptative response, a lifeform born out of resilience and hope. 

As the spirit inhabiting the tree emerges to converse with the viewer, they share with us their experiences of ecocidal generational trauma, urging us to reflect around the ways all the beings on the planet are deeply interlinked, and to honour our collective responsibility towards one another. Using a blend of 3D animation, found footage, and a musical score based on data sonification, “TR333” uses the speculative to recast the ecological crisis, asking “Why is this important?” from a multispecies and affective gaze.

- tr333_still_4_300dpi.jpg

I, THE GREEN MARBLE; THE (HI) STORY OF MY WITNESS AND MEMORY
Cihad Caner

- >
  i-the-green-marble-the-hi-story-of-my-witness-and-memory_film_still_1.png

38
Micaela Durand & Daniel Chew

- 38_filmstill.jpg

LUMAPIT SA AKIN, PARAISO (COME TO ME PARADISE)
Stephanie Comilang

- >
  girls-in-tai-chi-enclave-for-print-copy.jpg

TR333
April Lin 林森

- tr333_still_4_300dpi.jpg

CAST-OFF
Alice Z Jones × Dis Fig

- untitled-3.jpg

HEAVEN’S BLADE
33

- heavens_blade_6.png

WE ARE HERE BECAUSE OF THOSE THAT ARE NOT
Danielle Brathwaite-Shirley

- untitled-7.jpg

THE LYNCHING SONG
M. Lamar

- untitled-5.jpg

鏡中闇夜 MIRROR/ERROR
Yikii

- mirror.jpg

BROOD X: A GUIDED MEDITATION
unseelie

- untitled-4.jpg

GENERAL INTELLECT
Joanna Pope & Steph Holl Trieu

- untitled-8.jpg

PLEXAURE'S TOUR DIARY
Fauness

- untitled-5.jpg

REQUIEM FOR LOST PLANTS
Alice Yuan Zhang & Alexander Kaye

- requiem01.jpg

BSAD (BUY SHIT AND DIE)
Steph Kretowicz & Ben Babbitt

- untitled-9.jpg